Violence, Narrative and Myth in Joyce and Yeats

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Violence, Narrative and Myth in Joyce and Yeats
Acknowledgements
Introduction
1. Yeats’s Revolving Gyres
The kinship between artistic and non-artistic labour
Art and life in Yeats’s ‘The Second Coming’
Narrative language and the language of action
2. Social Myth, Material Reality, and the Aesthetico-Ideological Functions of Art
3. The Political Aesthetic of Yeats’s Myth in Anarchist and Syndicalist Contexts
4. Social Myth, Literary Narrative, and Political Aesthetics
5. Social Myth and James Joyce’s Political Aesthetic
6. Social and Anti-social Aesthetic Drives in Joyce, Yeats, and Sorel
7. W. B. Yeats, Social Myth, and Monoglossia
8. James Joyce, Social Myth, and Heteroglossia
9. Heteroglossic Desubjection and Monoglossic Subjection in Joyce, Yeats, and Sorel
10. Modernism, Myth, Violence, and Social Change
11. Modernist Art, Politics, and Social Change
12. Modernism, Narrative, and Violence
Conclusion
Bibliography
Source, notes...